Tag Archives: Writing

Hoping

Having recently completed my fifth novel, I’m now in the process of submitting the manuscript to agents for consideration. In the past, I’ve submitted a query letter along with however many pages the agent requests, usually ten or the first chapter. This time, I’m finding that some agents are also requesting that a synopsis be submitted.

After a quick online search, I found that a synopsis is a one- or two-page summary of the plot, including the ending. I shook my head in frustration. It will probably take me a few hours to complete what I would consider an acceptable synopsis. This is frustrating because it will slow down the work I’m doing to forward my manuscript to agents, but also because agents might never even get around to reading the synopsis.

I shouldn’t be so pessimistic. If I prematurely assume that agents won’t bother to read my synopsis, why would I assume that they’d bother reading my letter or sample manuscript pages? I sigh. I realize that I have to try. My query letter and/or my manuscript pages might not win over an agent’s support, but I’m still making the effort to submit these. The additional submission of a synopsis can only help. So, I will work on my synopsis. I have to hope it will help, or why would I go through this submission process at all?

Beta Readers

I’ve just completed another draft of my fourth novel, The Will of Sonia Sanz, . This draft was extra special because it incorporated revisions suggested in the feedback provided by five beta readers. I always look forward to this feedback, but at the same time, it can be disappointing to hear negative comments. This time was no different. While three readers enjoyed the book, two readers told me the story needed more excitement. I was puzzled. After all, this is a story that includes two unexpected and sudden deaths, a gold digging scoundrel, a wild spendthrift, a gas lighter, and a mysterious intruder. What more could I do to build suspense? After further discussion with these readers, I realized the problem wasn’t what was not in the novel; it was what was in it. I had overloaded the story with too many repetitive passages and unnecessary dialogue that negatively affected the flow of the plot. I began to rewrite and revise, eventually deleting twenty pages. The book now reads faster with a stronger emphasis on plot and action.

As a writer, I’m fortunate to have family and friends who are not afraid to tell me the truth when it comes to my writing. They are truthful but at the same time kind. It’s not only what is said but how it’s said. “The book needs more punch to it,” is easier to hear than “It’s just too boring. Make it more exciting,” for example.

Good beta readers are essential to a successful writing process.